Wednesday, October 22, 2008

#1: Can Mr. Smith Get to Washington Anymore? (Popper, 2006)

Over the next month (10/22 - 11/22), I will be viewing and reviewing 100 films on this blog. This is entry number one in that series.

Documentarian Frank Popper follows idealistic schoolteacher Jeff Smith as he runs for U.S. Congress. Jeff is energetic and plucky, but his valiant fight against our nepotistic political institutions is seemingly naïve.
Jeff Smith goes to Washington

Still from Can Mr. Smith Get Washington Anymore?

If Jeff Smith doesn't make it in politics, he might have a future in the NBA.


I liked Can Mr. Smith Get to Washington Anymore?, but I did not love it. Popper tells an interesting tale, but his limited scope and lackluster execution ultimately thwart something greater.

As a human drama, the film is unquestionably successful. Like the voters in Missouri’s 3rd Congressional District, we first see this baby-faced schoolteacher with a zero political experience and think: “This guy? Really? But he has a lisp!” Jeff’s quirky charm eventually grows on us, however. By the end of the film, we are more invested in his campaign than are his cynical parents. The problem is we never understand why. Audiences will generally root for any compelling underdog regardless of political platform. Besides anonymity, what does Jeff Smith offer his potential constituents? What differentiates him from the other candidates in the democratic primary? We’re shown a few seconds of rhetoric on reproductive rights and health insurance, but we never really find out.

The film poses an important thesis question: can the best candidate, regardless of fame or finance, still win an election? There aren’t any definitive answers. We learn the eventual fate of Jeff Smith, of course, but Popper fails to put his protagonist’s struggles in any greater context.

Why is Jeff’s road so difficult? According to his campaign staff, it’s clearly a matter of insufficient resources and reputation. Perhaps institutionalized politics really are that impenetrable, but Popper needs to show us. The film is so personal that it doesn’t allow audiences to draw any broader conclusions about the political landscape. We see in the film’s opening scenes that Jeff is barely even able to convince the members of his immediate family for support. Perhaps Jeff’s journey is made difficult because of a flawed or mismanaged campaign. The campaign managers frequently claim to be doing everything correctly; perhaps Popper should have asked for a second opinion.

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